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Larry Clark's controversial film about New York
City adolescents walking the AIDS tightrope is also
an unblinking look at the dehumanizing rituals of
growing up. But it really doesn't add up to more
than the sum of its various shocks--virgin busting,
skinny-dipping, male callousness--overlayed with
middle-class disapproval. Clark is hectoring us for
cutting kids loose at a terrible time in modern
American history, but so are a lot of other people,
who also offer alternatives and ideas. The film
does nothing to push us toward new thoughts, new
solutions, new dreams. It is more like a window
onto our worst fantasies about what our children
are doing out there on the streets. --Tom Keogh
Powerful and passionate, colorful and
compelling, Larry Clark's KIDS is 24 frenetic hours
in the life of a group of contemporary teenagers
who, like all teenagers, believe they are
invincible. With breathtaking images from one of
the world's most renowned photographers, KIDS is a
deeply affecting, no-holds-barred landscape of
words and images, depicting with raw honesty the
experiences, attitudes and uncertainties of
innocence lost. KIDS gets under the skin and
lingers, long after it is viewed. The kids at the
core of the story are just that: teenagers living
the urban melee of modern-day America. But while
these kids dwell in the big city, their story
could, quite possibly, happen anywhere.
1995 KIDS Rated R
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